(click on each image to learn more about that painting)
Artist Statement for Down To Earth:
Much of my wildlife artwork addresses change. Whether it is the continuous, gradual change within myself as I travel this winding, multifaceted path in life, or the impacts of global warming and human actions on the wildlife of the western U.S., I am interested in representing my subject in an altered way. This might be done with the simple act of changing color or exaggerating lines, putting my subject in a different setting, or using my emotion to set the composition. Sometimes I paint over older paintings while leaving a little of the previous painting peeking through. By doing this, I'm letting this version of the painting be a moment in a larger story. In some cases, a traditional form of the animal is painted under the blocky, ornate top layers of paint. In others, I leave the animal largely transparent to the background to suggest it is only passing through this place, present only for a moment against the landscape. The landscape, too, is shifting, painted in vague or transparent layers showing what lies beneath, before. Or painted in thick layers that prevent precise detail from permanently defining the scene. Today is just a moment in the larger story of what was and what will be.
My landscape paintings reflect the many paths I have walked in life. As a child, student, safety engineer, scientist, educator, stay-at-home mom, military spouse, and artist, I have lived, for a season or for many years, in seven different states (some of which I have come back to life in over and again) and traveled through out the United States, to many islands in the Caribbean, to many countries in Europe, Iceland, Australia, Canada, and Kenya. I love new experiences and seeing the beauty in this world. I am a glass-half-full kind of person, and my landscapes reflect this optimism.
Sometimes, though, I need to pause, to stand still. My still life paintings represent these moments of meditation and self-reflection, of being present in this moment, in this brain, in this breath. Painting from a 3D object and not from a photo of a place I experience along the way, carefully adding light to shine on the object and create shadow, dramatic or diffuse, the composition done before I ever start painting - this lets me dig in deeper to the details of my composition.
Always, I allow myself to follow my inspiration, wherever it appears, wherever it leads.
Next, view my What Lies Beyond Collection of space-related paintings.