Kenya

This past summer, my family and I had the great fortune to travel to Kenya! We spent two weeks visiting friends while exploring the capitol, Nairobi, and venturing beyond to the Great Rift Valley and the Maasai Mara National Reserve. We hiked the dormant volcano Mt Longonot, climbed Fischers Tower in Hells Gate National Park, boated across Lake Naivasha to Crescent Island where we walked among the wildlife living there, went on a 3-day safari in the Maasai Mara with Sentinel Mara Camp, explored Nairobi National Park and the Karura Forest Reserve, frisbee golfed with giraffes, ate at some wonderful restaurants (Hero Restaurant in Nairobi, Jiko Restaurant at the Tribe Hotel in Nairobi, Lazybones Restaurant at Camp Carnelley’s on Lake Naivasha, River Cafe in the Karura Forest in Nairobi), drove Formula One simulators, toured and tasted tea at the Kiambethu Tea Farm, visited museums and art galleries and malls and markets, and marveled at all the ways Kenya surprised and impressed us.

Nearly every day that we were in Kenya was incredible and beautiful and interesting. Part of that is just the nature of traveling somewhere new. But a big part was because of Kenya itself. The vistas were breathtaking, the wildlife abundant, the weather was perfect. In some ways, it felt like Kenya was way ahead of America: plastic bags are not allowed into the country, everyone used the same online app (like a venmo or zelle) to pay for absolutely everything (from a bottle of water at a small stall to medicine at the pharmacy to hiring a driver for the day to admission into a park or museum), and our one visit to urgent care when one of us got sick from something we ate was fast and thorough and cheap (less than an hour and under $30 for two doctor consultations, a lab culture, and prescriptions). In some ways, too, Kenya felt very familiar - very similar to life in the United States: the clothes they wore, city buildings, billboards advertising cleaning products and appliances and companies and politicians, menu items at restaurants, how grocery stores are organized, their newspapers, their cell phones. But in many ways, it was very different: the crazy driving, the lack of sidewalks, herding cattle and donkeys and sheep along the side of roads and through villages, using donkeys to pull carts, motorcycles overloaded with people and cargo, the use of corrugated metal and rough bricks and branches as building materials for small buildings and fences, the lack of lawns and gardens around many buildings and along roads. Kenya felt like a world of contrasts: traditional vs modern, local vs global, the have’s and the have-not’s. With the exchange rate most definitely in our favor, we were fortunate to be in the “have” category, and we ate extremely well, hired drivers on several outings (like an all-day uber), and were able to spend the money required to enter the parks and nature reserves and museums. We were very much aware that not everyone shared our experiences, and we had many conversations with our friends and Kenyan’s we met about life in Kenya.

While I am not a photographer and happily take full advantage of auto-mode on my camera (and sometimes even mess that up), I am pretty excited about many of my wildlife photos. The amazing diversity and abundance of wildlife in Kenya provided so many moments of inspiration, and I have started to include African wildlife in my paintings.

There were so many special moments while watching wildlife in Kenya, but one stands out for me as being extra amazing: the wildebeest migratory crossing of the Mara River:

We started this trip knowing it would be a once in a lifetime experience, but ended it with talk about “when we come back” because it was hard to imagine not experiencing it again. If you ever get the chance to visit Kenya, I highly recommend you do!

Happy Earth Day 2024

If there is one issue that I feel most strongly about, it is what we are doing to this planet. Climate change affects so many parts of our lives, from pollinators and the food we eat, to extreme weather events and the economy and equality, to mass extinctions of animals and mass migrations of people and wars. But the good news is we can do something about it. We can all take steps in our homes and communities to make small changes, and we can support the people who come up with the big plans to make the big changes. It will take a (global) village.

Much of my artwork addresses the impact of global warming on wildlife in the western US. As water becomes scarcer, many species are threatened by drought, changing food sources, and habitat loss, while some, like the coyote, prosper as they learn to adapt. I paint the wildlife of the west while symbolically representing these changes through altered color, line, and shape. By doing this, I am acknowledging that their world, and their chances of survival, are changing as we alter the landscapes and climate of our shared planet.

Visting My Childhood Home

I have been back and forth between Colorado and Missouri so many times over the past 16 months to help my family as my parents experience a variety of health problems. Many moments have been heartbreaking, and some have been beautiful, and I am grateful to have been able to be there for them all. These photos are a glimpse of peaceful moments I found during evening walks along the long driveway and fields of my childhood home in rural Missouri.

Arriving at sunset last June, my family's front field blurs together as we approach the driveway.

Our dogs, reunited, enjoy "cousin" time on a walk along the driveway between grass and clover fields that will be cut for hay in a few weeks time.

Clover fields provide a more nutritious meal for cattle, and are beautiful in summer.

Winter sunset over the front field as seen from the gate and cattle guard.

Winter sky over fields of gently rolling hills and trees that grow along the lower spaces where the tractors that cut hay in the summer don't reach.

My dog Callisto enjoys the excitement of farm-dog life on our late-afternoon walk.

A heavy winter fog in the front field makes the nearby trees along the creek stand out.

A cow's perspective as I stand in the field and look back at the driveway and unfenced spaces.

Callisto enjoys the farm sights, sounds, and smells from the frozen pond in the front field.

Winter sunset between the trees along the creek my sister and I would walk as children.

Painting Skulls

Usually, my paintings come about as a result of my experiences and whims, following inspiration wherever it comes. And at any given time, I typically have a mental list of at least a dozen paintings that I want to create. But occasionally I will see a call for artwork for an upcoming exhibit (called a Call For Entry, or CFE) at a gallery that will spark my interest, and then I will create something with that exhibit in mind. This happened recently when the Memento Mori Gallery in the 40 West Arts District in the Lakewood neighborhood of Denver posted a CFE for their “Skulls and Bones” exhibit celebrating their one-year anniversary. I immediately thought about the skulls found, or hanging, at my parents’ home in rural Missouri. So, on my last visit home, I photographed the skulls of a steer and a deer. Back in my studio in Colorado, these paintings were a lot of fun to create. I added color throughout both, shifting one toward white/silver and another toward a warmer yellow/gold. I’m very happy with how they turned out and am delighted that they both were accepted into the exhibit at Memento Mori, which runs Oct 6-28, 2023. Gallery hours are Tues - Sat, 12-7pm.

I Once Lived Where You Once Lived, a 20”x20” oil on canvas painting of a deer skull.

I Once Lived Near Where You Once Lived was based on a deer skull found on my parents’ farm that now rests on their back deck, witness to their moments of pause and companionship. When choosing the canvas to use for this painting, I used one in which I had carved flowers in the paint of an abandoned earlier painting, now providing subtle texture below the skull, an echo perhaps of the past for both deer and artist.

The Yorick on Our Wall, a 16”x20” oil on canvas painting of a steer.

The Yorick On Our Wall is based on a longhorn skull that hangs on the wall of my parents’ home. I often wonder why it is there… I think they just enjoy its presence. Maybe, too, it is a reassurance that, although we all share the same ultimate fate as living beings, we don’t completely disappear when we go. That because we existed, we impacted the world in some (big or small) way, and our presence continues in that change and the memories and experiences of the living.

Summer Experiences

After a VERY busy summer break, my son reluctantly returned to middle school (as an 8th grader!), and I happily returned (skipping, jumping, practically running) to my studio. The first day I spent most of my time sketching bison with different tools: marker, pen, pencil, oil pastel - just getting warmed up again. It felt so good to not have anywhere to go, nothing to plan or coordinate or schedule except wherever my creativity took me.

My summer experiences - some adventerous, some tame, and some serious - have stayed with me, though. And while I am eager to continue in my art where I left off last June (I feel like I still have a lot to say (in paint) with painting Colorado wildlife), I have so much I want to share and create based on this summer, too. I can’t wait to show you!

Various sketches of bison

Sunset over my family’s land as we arrived for a visit in June.

Greetings from Kenya, July 2023.

Exhibiting in 2022

It felt so good to be showing my work in art exhibits again in 2022!

The double whammy of covid and moving across the country in 2020 made it feel like I was starting all the way over with exhibiting. In some ways I was - Denver has multiple art districts and I wasn’t sure where my art would fit, and I didn’t have an art community like I had started to build in Virginia before the move. But in some ways I wasn’t starting over - I knew where to look for opportunities, I knew what to look for in a Call for Entry to know that I wasn’t wasting my time, and I knew how to describe and price and display my work. I ended up taking my time before trying to get my art out of my studio, though, spending several days over many months in 2021 and 2022 exploring Denver’s galleries to see what was being created and shown here. Then I just needed to take the leap and apply. Looking back, I am a bit surprised at how many exhibits I participated in this past year.

Here’s a look back at my exhibiting experinces in 2022, in reverse chronological order:

Today is Another Story, an 18x24 oil on canvas painting by Monica Hokeilen, sold

My painting, Today is Another Story, was selected as part of the juried exhibit Finding Common Ground in an Uncommon World at the Collective in Lafayette, CO that ran November 8, 2022 through January 8, 2023. This exhibit by the Women’s Caucus for Art Colorado Chapter included artwork by female artists from all backgrounds across Colorado that represent conflict with people of different ideologies and how we find common ground on issues important to us. In addition to a fun opening reception, the organizers planned several community events, including an artist discussion on Nov 26 and two audience discussions on Dec 7 and Jan 4, making this a very special exhibit to have participated in. And I am delighted share that my painting sold!

Artist Statement for Today is Another Story:

The populations and habitats of wildlife in the west are in flux as our climate warms and water becomes scarcer, but many Americans still resist efforts to curb global warming. Bison populations, while recovered from their rapid destruction 150 years ago, are still threatened by low genetic diversity, changing food sources, droughts, and habitat loss. Will they continue to represent the recovery of a species from the brink of extinction, and in that way possibly become a symbol of American fortitude and perseverance? Might they even someday come to represent living all our lives in harmony with nature, as they have for many American Indian societies? Today is just a moment in the larger story of what was and what will be.

These artworks are created over older paintings while trying to leave a little of the previous paintings peeking through. By doing this, I'm letting these versions of the paintings be a moment in a larger story, just as the frozen poses of the animals they depict.


I was honored to be included in the Square Foot Auction at the Artworks Center for Contemporary Art in Loveland, CO in September, 2022. Two of my paintings sold, one in their Opening Gala on Sept 23rd and one through the silent online auction that ran during the week of Sept 24-30. Artworks Center for Contemporary Art is at 310 N. Railroad Ave, Loveland, CO 80537.

Artist Statement for artwork in the Square Foot Auction

These are from my daily painting series of floral still lifes in which I completed a new, small painting each day in the fall and winter of 2021. Each is painted in oil on 10”x10” canvas, framed to 12”x12”, $250.

Winter Solstice: In celebration of the shortest day of the year, and appreciation for the beauty of the night.

All Dressed Up: A single flower, a simple vase.

Missing Life in the Sunlight (sold): This particular day felt heavy, and this wilting rose, fading under my studio lights, seemed right when I painted it, as if it too was missing the life that was, that could have been, should have been.

Life Lessons in an Orange Bouquet (sold): While painting this I had to step away for a few hours and came back to find the flowers lying on the table had wilted, creating the challenge of merging what I had done initially with the new reality. Sometimes plans change, and we adjust.

Love is Messy: Love is like a messy bouquet, beautiful in its imperfection, bigger than the vase you thought you'd need.


Icelandic Meltwater, 14”x14” oil on canvas, framed in natural pine, sold

Two of my paintings, Icelandic Meltwater and Kirkjufellsfoss Flow, were in the Mountains and Rivers exhibit at R Gallery in Boulder, Colorado. Both paintings were inspired by my trip to Iceland in Nov 2019 and created during the covid pandemic in 2021/2022. Mountains and Rivers ran from 13 July through 28 August, 2022 at 2027 Broadway, Boulder, CO 80302.

Kirkjufellsfoss Flow, 14”x14” oil on canvas, framed in natural pine $600

Artist Statement for Kirkjufellsfoss Flow:

The low light of a November day in Iceland reflects off snow and ice and water and casts a rosy glow to the sky as we stand at the top of a waterfall and watch the river flow away toward a bay and the mountains beyond.

 It was the end of November 2019, and the end of an incredible 10 day solo trip to Iceland, when I visited the Snaefellsnes Peninsula and took the picture that would be the inspiration for this painting. This trip, these photos, would inspire many more paintings through the covid shutdowns, and would help to sustain my wanderlust until the world opened up again.


Between What Was and What Will Be, 20”x16” oil on canvas, framed in natural pine, $1000

Bison Study, 8”x10” oil on canvas, unframed, $240

Two of my bison paintings were on display in the August Members Showcase at 40 West Gallery in Lakewood, Colorado. Show ran August 5 - 26, 2022. Gallery hours are Wed - Sat from 12pm - 4pm. 6501 W Colfax Ave, Lakewood, CO 80214

Artist Statement for Between What Was and What Will Be and Bison Study:

In 2022, I’ve been following an impulse to paint elk and bison and other wildlife found in Colorado. Sometimes I create these by painting over older paintings while trying to leave a little of the previous painting peeking through. By doing this I'm letting this version of the painting be a moment in a larger story, just as the frozen pose of the animals they depict. In Between What Was and What Will Be, you can see the previous painting in the red lines on the face and in the lines and shapes in the upper body of the bison, with some yellow painted over the top. In Bison Study, the previous painting shows mostly in the painted sides of the canvas.


I am delighted that my piece, Time is Camouflage, was accepted to the juried exhibit "Animal Kingdom" at the Niza Knoll Gallery in the Arts District on Santa Fe in Denver! The opening reception on Friday May 13 from 5-8pm was a lot of fun, with a brewery right around the corner and other nearby art galleries also hosting opening receptions the same night! Other events during this exhibit included Sundays on Santa Fe (May 29) from 11-3pm and First Fridays on Santa Fe (June 3) from 4-8pm. Regular gallery hours were Thurs - Sun 1-4pm. Show ran May 13 - June 12. Niza Knoll Gallery, 915 Santa Fe Dr, Denver, CO 80204.


Two of my space-themed pieces were in the Evolving exhibit at NEXT Gallery in the 40 West Arts District of Denver, Jan 28 - Feb 13, 2022! Opening reception was Friday, Jan 28, from 5-10pm (masks required). NEXT Gallery is at 6851 W Colfax Ave in the 40 West Arts District of Lakewood, and is open Fri 6-10pm, Sat & Sun 12-5pm.

You can see my interview with NEXT Gallery about these pieces here: https://www.hokeilenart.com/blog/2022/2/5/interview-for-evolving-at-next-gallery

Late Summer Reflections

When summer arrived, we (like so many others) were ready to get out and travel, to see the people and places that we have missed these last few years of covid. So when a friend announced they would be celebrating their Air Force retirement after 22 years of service, we jumped at the opportunity to join them. When we stepped off the plane and out of the Orlando airport into the sauna that is Florida in July, I drank it up through every desiccated pore and follicle while my son and husband wilted in the flooded air. In the following days, we celebrated and congratulated and hugged our way through numerous reunions, five family and a fiance, two babies, three hotels, six towns, the beach, two breweries, countless ice cream cones, one fort, two swimming pools, three new board games, mini-golf, go-karts, and one Atlas 5 launch seen from a friend’s backyard. Instead of our usual travel pace, we found ourselves cramming people-visits and tourist-destinations into a jam-packed itinerary because, as we have all learned through covid, being able to visit people/places is not guaranteed.

The Cape Canaveral beach skies were full of clouds as we waited for an Atlas 5 launch that would ultimately be postponed due to weather concerns.

My son (and husband, not pictured) and I enjoyed a Florida evening in St Augustine near the Castillo de San Marcos Fort.

The Castillo de San Marcos Fort in St Augustine, FL was beautiful at night.

Our summer adventures did not start or end with that trip to Florida. The past two and a half months have been a whirlwind of trips and visits with family and friends: I have been through airport security more times in the past three months than I have in the three years prior. If we weren’t out of town, we had someone visiting us at our home in Denver - often with less than 24 hours gap between guests and/or trips. Fortunately, I love having a full house, and every friend and family who visited felt like a gift that filled our home with extra conversation and activity.

An early-June evening on my family’s farm in Missouri.

This picture was taken while hiking with friends just west of Denver, Colorado.

But now our trips are done, our guests have gone home, and the scheduled routine of the school year returns next week. I so welcome this coming quiet and the rhythm of daily life. The cats miss having laps to fill, the dogs long for routine, the neglected garden and empty birdfeeders await the attention of a present household. The pantry is full of food, forgotten in the escape to restaurants this summer, that will draw us back to our table, together. And, for me, the most longed-for return to normal is the regular, scheduled time in my studio that normal life promises, and all the paintings waiting to be made.

So cheers to all who had a freeing summer, and cheers again to what comes after!

Two of my bison paintings are currently in the August Members Showcase at 40 West Gallery in Lakewood, CO. Show runs through August 26, 6501 West Colfax Ave, Lakewood, CO 80214. Gallery hours are Wed - Sat from noon-4pm.

Winter Elk, a 24"x18" oil on canvas framed in natural pine, sold in mid-June.

My piece, Time is Camouflage, was in the Animal Kingdom exhibit at Niza Knoll Gallery in the Santa Fe Arts District, Denver, CO.

Icelandic Meltwater sold in July in the Mountains and Rivers exhibit at the R Gallery in Boulder, CO. A similar painting of mine, Kirkjufellsfoss Flow, is now on display in this exhibit, which runs through August 28, 2022. 2027 Broadway, Boulder, CO 80302